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a journal of contemporary art |
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| about ctrl+p| about the editors | email us ctrl_p_artjournal@yahoo.com |
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Issue 15
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| Issue 15 November 2009 | Issue 14 February 2009 | Issue 13 November 2008 |
Published in Issue No.15 are essays on art and the market: "What Does 'Recovery' Look Like in the Art World? Or Surviving the Next Art Market Bubble" by Irene S. Leung; "Re-framing the Biennale: 2010" by Gina Fairley; "The 53rd Venice Biennale, Fare Mondi, Making Worlds" by Eliza Tan; "Object Lessons" by Patrick D. Flores; "Signs of Wonder" by Joselina Cruz;"Lisa Yuskavage" by Gerry Coulter; "Flashing Emin: Critical Analysis of 'Spectacular' Contemporary Arts" by Kubilay Akman; "The Philippine Modern: Conceiving a Collective Category" by Parick D. Flores; "Prized Possessions: The Promise of the Contemporary in Philippine Art Competitions" by Jay Giovanni Bautista. RenéeAlphonso reviews the 13 Artists 2009 exhibition and we publish here the seminal document "The Artist's Reserved Rights Transfer and Sale Agreement" by Seth Siegelaub. Issue editors are Flaudette May Datuin and Eileen Legaspi-Ramirez. |
This issue brings together a good number of writings on Performance Art: "Music Derived Painkiller (salivasalve solution)" by Ana Prvacki; "Reflections on Performance Art in Asia" by Thomas Berghuis; "Into the Future of Imagination or is it a Teenage Textbook?" by Adele Tan; "KHOJLIVE08: The Khoj Performance Art Festival" by Rohini Devasher; "On the Move in Hong Kong" by Mok Chiuyu; "Iconographic Mystery: A Conversation with Carolee Schenemann" by Dagmar Reichert; "Mapping the Body: Body Dialectics by Women Artists from Asia" by Bina Sarker Ellias; "Speaking Truth to Power" by Judy Freya Sibayan; "Performance and the Audience" by Boris Nieslony; "Free Martin Zet! on the Magical A-B-B-B-B Axis Tour without Mystery" by Martin Zet; "Postcard to Myself" by Jerome Ming; "Staging Identities, Performing Plurality Ming Wong's mononoaware" by Eliza Tan.
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Published here are papers presented at the International Symposium on Electronic Art (ISEA) invited-panel “Passing and Peril in the Information Super Highway.” Kóan Jeff Baysa moderated the panel and did an introduction with the same title. The other papers are “Reflections of Contemporary Chinese Society: Representations of Chinese Identity in Cyberspace” by Jiayi Young; “Kenkanryu (The Hate Korean Wave): Images of Hatred and Racism in Japanese Manga” by Mina Cheon; “Self-representations of Malaysian Bloggers” by Roopesh Sitharan; and “How We Have Represented Ourselves as Ctrl+P thus Far” by issue editor Judy Freya Sibayan. The second part of this issue focuses on the art market and the value of art to contextualize Ctrl+P accommodating an advertisement of the Asian Contemporary Art Fair New York a timely opportunity considering the current world financial crisis. Marian Pastor Roces meditates on “On (Surplus) Value in Art” a book by Diedrich Diederichsen. Ana Prvacki talks on her art practice as a form of giving. Varsah Nair offers an image to represent her deep sadness as artist-friends lose themselves in the commerce of art. We also have a review by Sara Haq and Olivia Altaras, a conversation about the exhibition “Or” by The Readymaids. |
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| Issue 12 July 2008 | Issue 11 March 2008 | Issue 10 February 2008 |
This issue on art archives and archiving is guest-edited by Lianne McTavish, Professor in the History of Art, Design, and Visual Culture at the University of Alberta. Focusing on “Recording Alberta: A Place in the Archives,” are essays by Eric Steenbergen on "The Community Archives;" Judy Freya Sibayan on The Community Archives: Documenting Artists Collectively, Openly; Amy Fung on "(Re)Searching for the Unheard: Cherie Moses’s Archive of Lesser Heard Voices;" Pamela Alenuik on "Cultural Capital in Alberta’s Capital City: The Gateway Sculptures Debate;" Christopher Grignard on "Archiving a Gay Hometown: The Orchard Drive and the Big Apple;" D. Jeffrey Buchanan on "The Story in the Corners." Reviews are by Eliza Tan on the exhibition "Everyday Anomalies;" and Flaudette May V. Datuin on "Shooting Blanks," photographs by Gina Osterloh and on "Exhibit A," the opening exhibition of the Museum of Contemporary Art and Design in Manila.
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A special issue published in partnership with the Chelsea Programme, Chelsea College of Art and Design, University of the Arts, London in anticipation of China Now, Britain’s largest festival of Chinese arts. A survey issue, it asks: what place is there for critical voices within current hegemonic interests in China and contemporary Chinese Art? The issue is co-edited by Judy Freya Sibayan and Erika Tan, and includes texts by Hans Ulrich Obrist, Oscar Ho Hing-kay, Patrick D. Flores, Lee Weng Choy, Kelly Baum, Andrew Maerkle, Thomas J. Berghuis, Cornford & Cross, Neferti X. Tadiar & Jonathan Beller, Marian Pastor Roces, Lee Wen, Ken Lum, Katy Deepwell, Caroline Turner, Saskia Sassen, Eliza Tan, Neil Stewart and Sonya Dyer.
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This issue on transliteration is guest edited and “curated” by Kóan Jeff Baysa. Featured are works by Martin Puryear, Lawrence Weiner, Emilio Chapela Perez, Michael Arcega, Kay Rosen, Pouran Jinchi, Annabel Daou, and Manuel Ocampo.
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Ctrl+P copyright 2009
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