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Published here are papers presented at the International Symposium on Electronic Art (ISEA) invited-panel Passing and Peril in the Information Super Highway. Kóan Jeff Baysa moderated the panel and did an introduction with the same title. The other papers are Reflections of Contemporary Chinese Society: Representations of Chinese Identity in Cyberspace by Jiayi Young; Kenkanryu (The Hate Korean Wave): Images of Hatred and Racism in Japanese Manga by Mina Cheon; Self-representations of Malaysian Bloggers by Roopesh Sitharan; and How We Have Represented Ourselves as Ctrl+P thus Far by issue editor Judy Freya Sibayan. The second part of this issue focuses on the art market and the value of art to contextualize Ctrl+P accommodating an advertisement of the Asian Contemporary Art Fair New York a timely opportunity considering the current world financial crisis. Marian Pastor Roces meditates on On (Surplus) Value in Art a book by Diedrich Diederichsen. Ana Prvacki talks on her art practice as a form of giving. Varsah Nair offers an image to represent her deep sadness as artist-friends lose themselves in the commerce of art. We also have a review by Sara Haq and Olivia Altaras, a conversation about the exhibition Or by The Readymaids.
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This issue on art archives and archiving is guest-edited by Lianne McTavish, Professor in the History of Art, Design, and Visual Culture at the University of Alberta. Focusing on “Recording Alberta: A Place in the Archives,” are essays by Eric Steenbergen on "The Community Archives;" Judy Freya Sibayan on The Community Archives: Documenting Artists Collectively, Openly; Amy Fung on "(Re)Searching for the Unheard: Cherie Moses’s Archive of Lesser Heard Voices;" Pamela Alenuik on "Cultural Capital in Alberta’s Capital City: The Gateway Sculptures Debate;" Christopher Grignard on "Archiving a Gay Hometown: The Orchard Drive and the Big Apple;" D. Jeffrey Buchanan on "The Story in the Corners." Reviews are by Eliza Tan on the exhibition "Everyday Anomalies;" and Flaudette May V. Datuin on "Shooting Blanks," photographs by Gina Osterloh and on "Exhibit A," the opening exhibition of the Museum of Contemporary Art and Design in Manila.
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This issue on transliteration is guest edited and “curated” by Kóan Jeff Baysa. Featured are works by Martin Puryear, Lawrence Weiner, Emilio Chapela Perez, Michael Arcega, Kay Rosen, Pouran Jinchi, Annabel Daou, and Manuel Ocampo.
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Albeit a very late one, this post-documenta 12 issue features Eileen Legaspi-Ramirez's "Distanced Education;" Matt Price on "Kassel's Artist-led Community in Gentle Revolt;" Eliza Tan on her "First Thoughts and the Afterthought" on documenta 12; Jason Farago's "The Flock;" Yong Soon Min on d12 as "An Attempt to Sustain a Singular Vision" and the full version of Katy Deepwell's and Judy Freya Sibayan's conversation on "Regendering Documenta." Gina Fairley reviews the 10th Istanbul Biennale and Flaudette May Datuin focuses on Tampo Lapuk, an exhibition for the 2nd Dumaguete Terracotta Biennale.
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